Recently, a friend on Mastodon asked followers about their first cassette purchase. I had no trouble recollecting getting Starship’s Knee Deep In The Hoopla when I was in the fourth grade as my introduction to the world of music on tape. I wore that tape out playing the all-too radio friendly songs like “We Built This City” (some might say the song was pandering — the shoutout to all the cities hasn’t aged well). Following that popular anthem in the track sequencing was “Sara,” a ballad at a time when that was almost a separate genre within a genre. Rock bands used to touring arenas had their slower, more romantic songs interspersed with the more upbeat anthemic fare on their records.
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Bandcamp Downsizing
Details are scarce, but a Bluesky post has people once again wondering about the fate of Bandcamp.
Some are speculating that Bandcamp’s owner, Songtradr, has enough engineers to fill in the gaps and keep the service running. I would not be surprised if that were the case, and I don’t think this piece of news is necessarily an indicator that the service is shutting down, but nevertheless, it’s not a good thing.
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I Set My Face to the Hillside
Last year, I bought TNT by Tortoise on CD from a Discogs seller.1 I should tell you, this sort of activity is as sure a sign of my devotion to a particular album as any. After all, I’ve got access to high-quality digital copies of albums like this through streaming. I don’t need to seek them out on an online marketplace, where, let’s face it, you don’t always know the quality of the merchandise.2
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A Room You Can’t See
Terry Godier might be something of a genius, as evidenced by his masterfully crafted RSS reader, Current, and the ideas behind it. So when I saw he had created a short documentary about musical formats, one of my favorite subjects, I had high expectations.
Godier hits upon a lot of the problems intrinsic to streaming media in the video. When he discusses the limitations of physical media, he’s able to make them sound like desirable features.
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Forgotten Favorite
Some good news came this week in the form of more Velocity Girl remastering. This time it’s a compilation of non-album tracks from various places being released by Slumberland Records. The collection is called 1989-1992 and the contents are precisely what it says on the tin.
The first available track from the release is my favorite song by the band, “Forgotten Favorite.” Even after the remaster, it’s still a bit muddy, but I’m not sure if there is anything more the band could do apart from rerecord the track completely. It’s still a stellar song through, with a shoegaze-worthy crush of guitars that’s as propulsive as anything put out by UK pedal hoppers. Despite some muck still on the recording, the vocals are pristine, and Sarah Shannon sounds heavenly.
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We Might As Well Be Strangers
The last few days have brought with them some serious nineties nostalgia. So it’s fitting that Weezer released a video for their new single, “We Might As Well Be Strangers.” The song represents a return to the form for the prolific but not always consistent band.
Perhaps the best part of the song and the video is the inclusion of guest Karly Hartzman of Wednesday. Hartzman brings her punk rock sneer and pout to the breakup song. As Grace Robins-Somerville notes for Paste Magazine, Hartzman perhaps outshines Weezer’s frontman.
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Chemicals Make You Small
When I read that Hammock had collaborated with The Flaming Lips on their song “Chemicals Make You Small,” I was a bit shocked. Wayne Coyne and The Lips are brash, experimentally noisy, irreverent, sometimes goofy and often oversaturated. They seem to have almost the opposite of Hammock’s ethereal, slow, quiet and completive approach.
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Jim Carol New Year
With Life in Small Spaces, the upcoming album from Black Marble, the project’s creator, Chris Stewart, taps into one of my semi-obsessions. The album’s description on its Bandcamp page has further details on the clue we are given with the album title.
It is an invitation to accept and consciously agree to a more minimal lifestyle for the sake of creative expression and freedom, and to never need to compromise your values for the tempting illusion of success.
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Quick Hit
Clive Thompson has the story of how Phil Collins accidentally invented gated reverb, the drum sound of the 80s, by leaving a talkback microphone on.
Normally, the reverb on a drum hit is intense at first, then slowly fades away. But in the Phil Collins drum session, the accidental reverb behaved differently. It had a nice, loud, booming reverb for a moment — then the reverb abruptly stopped. This created a very cool new type of drum sound. It was boomy and huge, but wasn’t messy, because the reverb for each drum hit ended before the next drum hit.
Gated reverb was used to startling effect on “In The Air Tonight” (watch a first-time reaction video to the song if you haven’t already). Prince jumped all over the drum sound, and it was also used by Kate Bush, John Cougar Mellencamp, Hall and Oates, and Duran Duran.
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Don’t Panic
Despite seemingly being designed by a corporation to be mostly inoffensive, sometimes to the point of banality or worse, Coldplay launched into the world consciousness hot, with “Don’t Panic,” the song in the pole position on their debut album Parachutes. Though I personally feel more generosity towards Chris Martin and crew, some believe “Don’t Panic” is the band’s only good song.1 Whatever the case, the track was certainly a winning way for Coldplay to announce their arrival on the scene.
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