Mine In Mono

A personal weblog by Robert, a mere Christian, aspiring minimalist, inveterate notetaker, budget audiophile and paper airplane mechanic.

  • The Shape of Paris

    This week’s Saturday Night Video is a bit different than the usual fare. It’s technically more of a skate video than a music video (but it does feature music). Powell Peralta-sponsored skateboard pro Andy Anderson and I have very different styles, but I enjoy his skating and his good nature. He’s as unconventional a skateboarder as they come, fitting decidedly old-school tricks alongside new ones, finding endless creativity with whatever objects he comes across.

    The Shape of Paris is as much an intimate look at the streets of Paris as a skate video. Its videographer, Brett Novak, is one of the best in the skateboarding films business and brings a variety of shots that showcase the city’s charms. I’ve only been to Paris once, but I wish I had seen it the way it appears in this video.

    via Neatorama

  • A Side Hustle As The Doors

    We all know by now that it’s getting tougher to make a living as a musician. While tools for producing music have gotten cheaper and more accessible, the ways to make decent money as a professional in the music industry have been drying up.

    Alex Marshall and Joanna Yee write for the NYT about the members of acclaimed British indie act Field Music trying to pay the bills. Despite working regular jobs and playing in a band recognized by Prince, they were having trouble making ends meet. They decided they could put a few extra bones in the bank by… gigging as The Doors.

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  • No One Is Lost

    My wife and I have long been devoted to music from the band Stars. It’s hard to pick a favorite album, but I especially treasure a few of the songs on No One Is Lost. The 2014 album was recorded in a studio the band built above a gay discotheque and seems to have absorbed some of the dance vibes, if not the sexuality, through the floorboards. Stars doesn’t spring the title track on their listeners until the very end of the album, but it’s a massive banger to bring things to a close.

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