I’ve been on a post-punk x new wave kind of kick the last several days, after I learned Black Marble (who I blogged about last year) are going to be playing nearby in September. The algorithm overlords recommended Castlebeat to me after the end of a listening sesh of Black Marble’s Bigger Than Life. I hadn’t listened to Castlebeat in a few years, but remembered them from this fan video using footage from the best movie ever to take place in a Target big box store: Career Opportunities.
read moreNoise
-
New Cans
I recently hit my 20th anniversary (!!!) at the company where I work. Instead of a gold watch, I got what amounts to about $400 in a foreign currency they call “Spotlight points.” Thought I didn’t pull the trigger right away, my immediate thought was to blow the lot on a pair of Sennheiser HD 650 headphones. I’ve been researching these cans for some time now, but even at a consistent 38% off, a price point of nearly 400 bones meant I wouldn’t just impulse buy these things.
read more -
Tapes Of Yesteryear
Niko Stratis writes about the comfort of physical media and older technology.
read more…Let us suffer no worries or troubles, we have salvation in our walkmen and their analogue batteries. Never mind the truth of these eras, the 90s and the days before and after are years often cast in imperfect light as moments in time when we were a proper society. That’s not true for all, and you only need to engage with the culture of the time with eyes open enough to see the hardships and downfalls for many. But still, I understand the desire to glamorize it, and hold the past as indelible proof of a better time.
Pockets have gotten smaller, I’ve noticed, and I imagine that’s because of the shrinking of technology. We don’t have to carry Walkmans and CD Walkmans anymore, and so the pocket industrial complex has responded in kind. Who needs all this space when we no longer own anything we’re able to hold.
-
The Perfect Indie Pop Song
A few weeks ago, I saw Mark Robinson from Unrest/Air Miami/Flin Flon open for the Wedding Present at the Motorco Music Hall in Durham. Although the bill clearly stated that Robinson would be playing Unrest songs, imagining him doing those songs without the two other band members, Phil Krauth and Bridget Cross was challenging. Whatever images I could conjure didn’t match the actual show.
read more… -
Olly Thoughts
Olly, the developer of the Pagecord blogging software, just published a post on something I was thinking about with regards to music. I’m not buying a lot of physical media these days, but when I do, it’s usually CDs. I just went to a new record store called Hunky Dory that just opened downtown near me, but they weren’t celebrating Record Store Day. I wasn’t sure about going because I didn’t think I would buy anything. So I can relate to Olly.
read more… -
You Could Do Anything
Shelly Ridenour penned an article for Qobuz on the stellar alternative albums from 1991. One observation that I found particularly poignant from having grown up during this period was around the change that Nirvana’s Nevermind brought to mainstream music with regard to gender dynamics.
read more…Fediverse reactions
-
-
The Collection
Everyone has been posting about the Aadam Jacobs collection. Since I love indie music from the 90’s, I’m certainly going to spend some time with the massive 10,000 live recordings collection. I went to the page on the Internet Archive and one of the first recordings I saw was neo-classical band Rachel’s at Lounge Ax. I bought The Lounge Ax Defense and Relocation compilation created to save the venerable Chicago club when it released. I’ve spun that disc hundreds of times. The song Rachel’s contributed to the comp, “Those Pearls…,” is probably my favorite by the band.
Immediate download. Let’s get this exploration started.
Fediverse reactions
-
-
Portland Town
One of my greatest joys in 2026 has been the release of new material by British riot twee band Heavenly. I’ll admit I approached the release of this year’s brilliantly named Highway to Heavenly LP with a certain amount of skepticism. After decades of radio silence, it’s hard to know what to expect from a long-time favorite and easy to be disappointed.
read more… -
Hurts Like Hell
Charlotte Cornfield is the latest musician to put out something via Durham, NC’s Merge Records. Hurts Like Hell is also the first long player by the Canadian singer/songwriter since becoming a mother. The title track, “Hurts Like Hell,” wallows in a remembered sentimentality with the advantage of looking at difficulty in the rearview mirror. We all know what it’s like to try to gain perspective when in the midst of a tough situation.
The video immediately endeared itself to me because its protagonist is wearing a sweater just like one I purchased a couple of weeks ago. The guy looks like he’s kin to Ben Gibbard and plays a sympathetic character who appears to ingest some psychoactive substance along with a confection delivered from an anonymous sender. His enthusiasm for playing the video’s song at high volumes (with bass boost!) outside is a nuisance to his neighbors.
Charlotte Cornfield – Hurts Like Hell (YouTube)
-
If You Change
Widowspeak has a new record coming this June and produced a video for the lead single, “If You Change.” I first heard the band when they covered Dire Straits’ “Romeo and Juliet,” a song that never landed with me previously. Widowspeak won me over with the wistful tenderness they gave their treatment of the track.
